(He recanted.) Other cast members talked about going out drinking with Tierney, who once ended up with his pants down outside a bar. The legendary tough guy and frequently off-the-wagon drinker got into a heated argument with Tarantino during the first week of shooting, ending with QT firing him. This is a recurring theme in stories about Tierney (see also: his one-time guest spot as Elaine’s dad in a season two episode of Seinfeld). Keitel loved it and signed on immediately as star and producer, which helped attract Chris Penn and Michael Madsen. As it happened, Floor’s ex-wife, also an acting coach, knew Keitel from the Actors Studio in New York, and got him a copy of the script. Well, that’d be Harvey Keitel, Bender said. Bender was taking an acting class from one Peter Floor, who asked the boys who their dream choice would be for the lead in Reservoir Dogs. When Tarantino and Bender were trying to get the project off the ground, they got a lucky break. HARVEY KEITEL WAS THE LEAD CHARACTER IN GETTING THE FILM MADE, TOO. Eleven years before Reservoir Dogs, he wrote a semi-autobiographical novel with a prescient title: Little Boy Blue. He went straight in 1975, at the age of 42, writing several crime novels (Tarantino was a fan), and eventually doing some acting and screenwriting. BLUE HAD BEEN A BANK ROBBER IN REAL LIFE.īefore he was an actor, Eddie Bunker was a criminal, spending much of the first half of his life in various correctional facilities. (Bender said it was such a bizarre idea that he and Tarantino actually considered it.) 6. Another offered $500,000 … but only if his girlfriend could play Mr. One producer offered $1.6 million, but only if the ending was changed so that everyone who was dead came back to life, the whole thing having been a hoax or a con of some kind. While searching for producers to finance the film and save them from having to make it themselves on a minuscule budget, Tarantino and Bender fielded several offers that sounded good but had a catch to them. THERE WERE SOME UNUSUAL OFFERS FROM PRODUCERS. Robert Forster, who later appeared in QT’s Jackie Brown, auditioned for the part of Joe, which went to Lawrence Tierney. Jackson and Ving Rhames both almost played Holdaway (the cop Tim Roth works with in flashbacks). Pink, a role for which Michael Madsen (Mr. Steve Buscemi was later considered for Nice Guy Eddie, but ended up playing Mr. Pink himself, with producer Lawrence Bender as Nice Guy Eddie. In the early stages, Tarantino was going to play Mr. IT WENT THROUGH SEVERAL CASTING PERMUTATIONS. TIM ROTH’S CHARACTER’S APARTMENT WAS UPSTAIRS FROM THE MORTUARY.įor a location scout, finding one building that can serve two different purposes is like hitting a home run. It’s a fitting location to use, considering the way the movie ends. When Harvey Keitel and Steve Buscemi go to that back room to argue and wash blood off themselves, you can clearly see plastic tubes, embalming fluid, and such. The empty building where our multi-colored heroes rendezvous after the robbery was actually a disused mortuary. And in the end? Of the eight awards given to non-documentary features, Reservoir Dogs received zero of them. Quentin Tarantino later recounted how everyone kept telling him the jury awards were going to come down to either his film or one other (though people had different ideas of which other film was his main competition). Reservoir Dogs had its world premiere at the 1992 Sundance Film Festival, where it was the buzziest movie on the schedule (assisted by an industry pre-screening a few weeks earlier). Seldom has a filmmaker’s debut attracted so much controversy and acclaim, or inspired so much discussion about the meaning of “Like a Virgin.” Let’s put on our black suits and skinny ties and dive into the nitty-gritty. His feature debut, Reservoir Dogs, blasted Sundance audiences’ faces off in January of 1992 before doing the same in Cannes, Toronto, and at your local multiplex exactly 25 years ago today. Quentin Tarantino is not one of those directors. Many directors come to the world’s attention gradually and quietly over the course of a few films.
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